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4th Early Music Festival: The Story of Two Cities – From Venice to Hamburg – PAID EVENT

Early Music Festival

Dates of the Festival: 9 – 14 October 2025
Venue: Kowloon Union Church
Time: 19:30
Price: $290, Concessions $190

The Exploration in Venice

Dates: 9th & 10th October 2025
Performing works by Gabrieli, de Rore, Marini, Castello, Ziani, Turini, Fontana, Weckmann & Schütz
*World première of a new work by Mario Colbacchini

The Golden Era of Hamburg

Dates: 13th & 14th October 2025
Performing works by Telemann, Mattheson, Handel & Graupner
*World première a new work by Lee Wai Shan. This new work is commissioned by Concerto da Camera Limited in 2025 with sponsorship from CASH Music Fund.

Tickets available now

Please click here for more information on the Festival

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For this year’s Hong Kong Early Music Festival, Concerto da Camera has chosen Venice and Hamburg as the focal points of the musical journey. A diverse selection of vocal and instrumental works is curated to showcase the rich musical cultures of these two iconic cities.

The Festival comprises four concerts. The first two, The Exploration in Venice, spotlight early Baroque music from Venice alongside works by German composers inspired by the Venetian style. The final two, The Golden Era in Hamburg, turn to Hamburg, presenting music by composers shaped by the city’s vibrant artistic energy. Between the pieces, there will also be English narration that illuminates these lesser-known hidden gems from multiple perspectives.

The concert will also unveil two freshly commissioned works by Italian composer Mario Colbacchini and local composer Lee Wai Shan, each evoking the spirit of Venice and Hamburg in a vivid musical dialogue.

Both Venice and Hamburg were once major commercial ports in European history. International trade brought them immense wealth, while the convergence of peoples and cultures fostered a fertile ground for artistic flourishing.

Since the fifteenth century, Venice’s churches, merchants, and rulers have actively patronised music. As a thriving centre of trade between East and West, the city absorbed diverse influences from North Africa, the Middle East, and beyond, enriching its musical landscape.

Drawn by its vibrant musical scene, many of the most renowned early Baroque composers—including Marini and Gabrieli —chose to live and work in Venice. Musicians from across Europe also travelled to the city to study and work; among them was Schütz, considered the greatest German composer before Bach. The works of these composers deeply shaped the evolution of Western classical music, and later German Baroque masters such as Telemann and Händel absorbed the Italianate style into their own compositions.

Seventeenth-century Europe was a time of profound religious, political, and economic transformation. With the opening of the Atlantic trade routes, Hamburg rose to become one of the most important port cities in northern Europe—and simultaneously a vibrant cultural hub. It became the heart of the North German organ school and proudly hosted Germany’s first public opera house.

The Exploration in Venice

Matthew Manchester – Music Director & Cornetto
Rachel Kwok – Soprano
Kitty Lai – Soprano
Edmond Chu – Tenor
Agnieszka Mazur – Cornamuse
Nigel Crocker – Sackbut
Karen Yeung – Dulcian
Sue Ying Koang – Baroque Violin
Mavis Lam – Pipa
Simon Williams – Percussion
Kenneth Yeung – Organ
David Francis Urrows – Concert Presenter (in English)

The Golden Era of Hamburg

Matthew Manchester – Music Director & Baroque trumpet
Kitty Lai – Soprano
David Tong – Recorder
Joyce Cho – Baroque Oboe
Agnieszka Mazur – Baroque Oboe & Recorder
Karen Yeung – Baroque Bassoon
Sue Ying Koang – Baroque Violin
Kate Moran – Baroque Violin
Hyunjung Choi – Baroque Viola
Shelagh Heath – Baroque Cello
Kenneth Yeung – Harpsichord
Matthias Kaufmann – Concert Presenter (in English)

About Concerto da Camera

Since its founding, Concerto da Camera has been dedicated to promoting early music to the public, while fostering exchange and collaboration between local and international artists. They are steadfast in their commitment to performing on period instruments and employing historical vocal techniques, bringing new inspiration from the past to life, and offering audiences a truly unique musical experience.

  • Organized by: Concerto da Camera
  • In collaboration with: Rockson Organ Service Company, McGill Songbirds, European Union Office to Hong Kong and Macao, Consulate General of the Republic of Poland in Hong Kong, Italian Cultural Institute Hong Kong